WHO MOULDS WHOM
Part of the spatial proposition ‘A slight rearrangement’ 2026
The sound of feet looking A room starts where the floor begins
Reopening a question in different spatial conditions
Milan 2013
The Hague 2019
Antwerp 2026
Reopening a question in different spatial conditions
Milan 2013
The Hague 2019
Antwerp 2026
Part of the spatial proposition ‘A slight rearrangement’ 2026
Where there was none
a dent by touching the shifted walls
a dent by touching the shifted walls
Part of the spatial proposition ‘A slight rearrangement’ 2026
The upstair neighbour
Antwerp Art Week in Klamot
Antwerp Art Week in Klamot
Object 2025
Formwork No.1
Part of the spatial proposition ‘A slight rearrangement’ 2026
Part of the spatial proposition ‘A slight rearrangement’ 2026
Sculpture / material research since 2015
ONGOING
Spatial proposition in PADA Galley 2024
a flattened reduced spatial propositionVfjoee (Onomatopee)
Bend by the width of
residency at PADA 2024
a line – a structural reference that holds space itself
Wall to wall width
Object 2023
aluminium, asphalt
Intervention 2022
‘A destructive poem’
Aluminium structure, various little rocks
Sculptural object 2022
‘Still somewhere in between’
asphalt 100 x 25 x 65 cm
Display variations
Photo research 2022
Scupting the notoin of Stone
Side-sculpture ‘2021
1 – ‘MIES’ No.1
2 – Image printed on architecture paper
3 – ‘LINA’
The series of small side tables ‘Mies’ get their stability from the presence of asphalt – a material appearing as pillar of urban life, almost modernity itself – although as substance mutable once peeled of Earth’s crust
2 – Image printed on architecture paper
3 – ‘LINA’
The series of small side tables ‘Mies’ get their stability from the presence of asphalt – a material appearing as pillar of urban life, almost modernity itself – although as substance mutable once peeled of Earth’s crust
pine, stonewear, asphaltasphalt
45 x 25 x 65cm
45 x 25 x 65cm
Sculpture 2019
‘Pyramid’
is an ode to an ancient archetype construction of civilisation
is an ode to an ancient archetype construction of civilisation
asphalt 45 x 45 x 60cm
Intervention ‘19
Surface in Suspence
120 x 85cm
Installation ‘18
For the event WYSYWYG .11 (What You See Is What You Get) this crunchy three-dimensional material scenario was a response to the collectiveness of a film screening
foam, plaster, cotton
500 x 300 cm
500 x 300 cm
Installation ‘17
Leftovers
Spatial proposition ‘16
During the Salone del Mobile, this intervention was part of a total reset of a Milanese penthouse – resulting in a mulitdisciplinary view on architecture and all aspacts involved in the construction of an intimate environment
Ceramic material research ‘16
Temporarily Impressed derived during an artist in residency in Vienna
Ceramic and photographic research
Artist in residence
Publication ‘15/’16
Publication ‘15/’16
Sold at Stroom The Hague
Small edition of 35
Sofa ‘15/ ‘16
Stage of Transition is an exploration of abstracting archetypal furniture pieces to research them as tangible metaphors
140 x 70 x 60 cm
Wall cabinets ‘15
Stage of Tansition mesh cabinets
Film / material research ‘15
Three films became a cinematic research into three forms of symbiosis on a bodily scale
Display ‘13
Considered to be Coinsidence is a series of carriers for relics of volatile places. The pedestals value the icons of a place that is breifly visited, in which the habit of collecting becomes the tagible entrance to nostalgia
Ø 18 and Ø 20
Utensils ‘13
The Hunger of Habits | A trip to the woods resulted in this series of utensils carved in fresh wood
Scenography ‘14
BACK STAGE ON STAGE was a scenography for a group exhibition, putting the process of making in the limelight
Salone del mobile, Milan
Installation ‘11
Desired Dreams was comissioned by the government of The Hague. In the atrium of the city hall the installation was an invitation for citizens to attache a wish. As a collective gesture the wishes gave embodiement to the void whitin the three triangle elements.