FUNCTIONAL  Formwork no.1  
Formwork no.2
Caverns
Spoiler  
Being Emphasised
State of Transition (sofa)   
State of Transition (wall pieces)
SPATIAL  
The sound of feet looking 
Vfjoee no.1 | no.2
Flying rocks & Landing birds
Directions are not always leading 
Everything is Editable
While Watching
Fitfully Still
ON LOCATION  
Sweden – Stockholm – Various Volumes
Belgium – AAW 
Portugal – Form language of the missing
Italy – Sculpting notions of Stone
France – Poem of Destructive waters
Austria – Temporarily Impressed



WHO MOULDS WHOM


Part of the spatial proposition ‘A slight rearrangement’ 2026
 The sound of feet looking 
A room starts where the floor begins

Reopening a question in different spatial conditions
2013 Milan, The Hague 2019, Antwerp 2026

Part of the spatial proposition ‘A slight rearrangement’ 2026
Where there was none there is now 


Part of the spatial proposition ‘A slight rearrangement’ 2026
 


The upstairs neighbours

Antwerp Art Week in Klamot 

2025
Formwork No.1

Part of the spatial proposition ‘A slight rearrangement’ 2026


Part of the research during a two month residency at PADA Studios 2024



Material research and objects in PADA Galley 2024

Where does spatial begin or end

Spatial proposition in PADA Galley 2024
a flattened reduced spatial proposition
Vfjoee (Onomatopee) 


Research during residency at PADA 2024

a line – a structural reference that holds space itself



Object 2023


Intervention 2022
‘A destructive poem’
Aluminium structure, various little rocks


 Sculptural object 2022
‘Still somewhere in between’
asphalt 100 x 25 x 65 cm


material photo research 2022
Scupting the notoin of Stone



Side-sculpture ‘2021
1 – ‘MIES’ No.1 
2 – Image printed on architecture paper
3 – ‘LINA’

The series of small side tables ‘Mies’ get their stability from the presence of asphalt – a material appearing as pillar of urban life, almost modernity itself – although as substance mutable once peeled of Earth’s crust
pine, stonewear, asphaltasphalt
45 x 25 x 65cm


Sculpture / material research 2020
ONGOING


Photography ‘14 – ‘Ongoing


Sculpture ‘19
‘Pyramid’ is an ode to an ancient archetype construction of civilisation 
asphalt 45 x 45 x 60cm


Intervention ‘19
Surface in Suspence 
120 x 85cm


Installation ‘18

For the Essay-film screening event WYSIWYG (What You See Is What You Get) during Todays Art @ The Grey Space in the Middle
Mesh, cotton, underfloorheating


Installation ‘18
For the event WYSYWYG .11 (What You See Is What You Get) this crunchy three-dimensional material scenario was a response to the collectiveness of a film screening
foam, plaster, cotton
500 x 300 cm


Installation ‘17



Display ‘17
Publication display ‘Spoiler’ was made for Big Papi by Gilleam Trapenberg


Stool ‘17
Being Emphasised was part of a pop-up gallery ‘Also Known As’ during the Salone del Mobile, Milan. Together with Koos Breen, Adrianus Kundert and Fabian Bredt 


Spatial proposition ‘16
During the Salone del Mobile, this intervention was part of a total reset of a Milanese penthouse – resulting in a mulitdisciplinary view on architecture and all aspacts involved in the construction of an intimate environment


Ceramic material research ‘16


Temporarily Impressed derived during an artist in residency in Vienna
Ceramic and photographic research


Artist in residence
Publication ‘15/’16

Sold at Stroom The Hague
Small edition of 35 


Sofa ‘15/ ‘16
Stage of Transition is an exploration of abstracting archetypal furniture pieces to research them as tangible metaphors
140 x 70 x 60 cm


Wall cabinets ‘15
Stage of Tansition mesh cabinets 


Film / material research ‘15

Three films became a cinematic research into three forms of symbiosis on a bodily scale


Collages ‘14/15
printed on brushed aluminium 


Display ‘13

Considered to be Coinsidence is a series of carriers for relics of volatile places. The pedestals value the icons of a place that is breifly visited, in which the habit of collecting becomes the tagible entrance to nostalgia
Ø 18 and Ø 20

Utensils ‘13
The Hunger of Habits | A trip to the woods resulted in this series of utensils carved in fresh wood





Scenography ‘14
BACK STAGE ON STAGE was a scenography for a group exhibition, putting the process of making in the limelight
Salone del mobile, Milan


Installation ‘11
Desired Dreams was comissioned by the government of The Hague. In the atrium of the city hall the installation was an invitation for citizens to attache a wish. As a collective gesture the wishes gave embodiement to the void whitin the three triangle elements.