Signifying practices while watching | WYSIWYG (.11)

2018

It's all in the numbers: During the weekend where July succeeds June we're celebrating two years of WYSIWYG with two films during two evenings. This summer finale we're heading back to Nature, but this time with a beautiful, occult and eerie energy surrounding the landscapes portrayed. We'll screen Australian new wave gem Picnic at Hanging Rock [1975, by Peter Weir] and the day afterwards, we'll continue with drama-fantasy The Seventh Seal [1957, by Ingmar Bergman]. Two films that create their own space, where the protagonists are attracted to unknown forces, that we're going to unveil and further explore.

Text by Gerben de Louw

Fragmentures Carpet was part of the exhibition Live Factory - Make My Day of the Royal Academy of Art during Salone del Mobile 2013. Some publications can be found here

A scenery of expectation.
Material applications to signify the cinematic content and setting

Crunchy Floor - Traceble by sound.
Once out of the structure only traceble by sound

Observing Structures - Individual collectivism.
Visual interpretation together as an individual

Picnic At Hanging Rock
1975 | by Peter Weir

The Seventh Seal
1957 | by Ingmar Berman

Anne Kranenborg

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