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	<title>ANNE KRANENBORG</title>
	<link>https://annekranenborg.nl</link>
	<description>ANNE KRANENBORG</description>
	<pubDate>Wed, 04 Feb 2026 00:19:04 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://annekranenborg.nl/Home</link>

		<pubDate>Tue, 10 Mar 2020 15:06:19 +0000</pubDate>

		<dc:creator>ANNE KRANENBORG</dc:creator>

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		<title>Where do shapes begin</title>
				
		<link>https://annekranenborg.nl/Where-do-shapes-begin-1</link>

		<pubDate>Wed, 04 Feb 2026 00:19:04 +0000</pubDate>

		<dc:creator>ANNE KRANENBORG</dc:creator>

		<guid isPermaLink="true">https://annekranenborg.nl/Where-do-shapes-begin-1</guid>

		<description>

	Where do shapes begin
A two months residency in PADA Studios, Portugal.&#38;nbsp;
	&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/2c2be9b6ef42d2d40855f04f0faee40d1b0e6d01f54f9a5a84c92d940fb940f5/AnneKranenborg-IMG_1851.jpg" data-mid="248882453" border="0"  src="https://freight.cargo.site/w/1000/i/2c2be9b6ef42d2d40855f04f0faee40d1b0e6d01f54f9a5a84c92d940fb940f5/AnneKranenborg-IMG_1851.jpg" /&#62;&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/4b3dda6b27a182b252dc25e808f7d1c8431d6556b33896d57b7921c5d4d08591/IMG_8083.JPG" data-mid="244403806" border="0"  src="https://freight.cargo.site/w/1000/i/4b3dda6b27a182b252dc25e808f7d1c8431d6556b33896d57b7921c5d4d08591/IMG_8083.JPG" /&#62;&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/5e4195987349c8d8d66b3a59cba5c86001ea77786ebeb06f0e33b27fc71e2e5e/IMG_8084.JPG" data-mid="244403807" border="0"  src="https://freight.cargo.site/w/1000/i/5e4195987349c8d8d66b3a59cba5c86001ea77786ebeb06f0e33b27fc71e2e5e/IMG_8084.JPG" /&#62;



	
&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/ce1053196be502b908cb269ae854b6385dd148052928cc46f7b7312b0de67b47/a-IMG_2286.jpg" data-mid="248882452" border="0"  src="https://freight.cargo.site/w/1000/i/ce1053196be502b908cb269ae854b6385dd148052928cc46f7b7312b0de67b47/a-IMG_2286.jpg" /&#62;


	
	&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/14246390548f89c1fb0eb434e7ab2ccc98df2b60eb78e06dc032a222deea5c68/IMG_8069.JPG" data-mid="244403840" border="0"  src="https://freight.cargo.site/w/1000/i/14246390548f89c1fb0eb434e7ab2ccc98df2b60eb78e06dc032a222deea5c68/IMG_8069.JPG" /&#62;

&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/874c3bebac31ba88812b9139288400bdf77e3ae13af30566ebf284f2fc003f31/IMG_8080.JPG" data-mid="244403803" border="0"  src="https://freight.cargo.site/w/1000/i/874c3bebac31ba88812b9139288400bdf77e3ae13af30566ebf284f2fc003f31/IMG_8080.JPG" /&#62;
&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/23b93d9d5e082f10f639f9ef00f47de2201eb1272acb1a572cd387e2b784eafb/IMG_8081.JPG" data-mid="244403804" border="0"  src="https://freight.cargo.site/w/1000/i/23b93d9d5e082f10f639f9ef00f47de2201eb1272acb1a572cd387e2b784eafb/IMG_8081.JPG" /&#62;
&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/00010b8ab3f213bd11cea9173e85f85416c59d39ad6abb2b6d00366774d67f15/IMG_8082.JPG" data-mid="244403805" border="0"  src="https://freight.cargo.site/w/1000/i/00010b8ab3f213bd11cea9173e85f85416c59d39ad6abb2b6d00366774d67f15/IMG_8082.JPG" /&#62;
&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/7c657aa62a96a287c8660e43400db01426c79540f76c4983a3c2f9cc5b9d3dbb/IMG_8079.JPG" data-mid="244403802" border="0"  src="https://freight.cargo.site/w/1000/i/7c657aa62a96a287c8660e43400db01426c79540f76c4983a3c2f9cc5b9d3dbb/IMG_8079.JPG" /&#62;



	&#38;nbsp;
	Bamboo - A line  - A stick - A scaffolding pole - A hollow vessel.&#38;nbsp;
	Year: &#38;nbsp; &#38;nbsp; 2024
Residency: PADA Barreiro Portugal
Material:&#38;nbsp; &#38;nbsp; Mixed medium
 Technique:&#38;nbsp; &#38;nbsp; &#38;nbsp;Gravity bending&#38;nbsp;


</description>
		
	</item>
		
		
	<item>
		<title>Somewhere in Particular</title>
				
		<link>https://annekranenborg.nl/Somewhere-in-Particular-1</link>

		<pubDate>Sun, 25 Feb 2024 19:47:22 +0000</pubDate>

		<dc:creator>ANNE KRANENBORG</dc:creator>

		<guid isPermaLink="true">https://annekranenborg.nl/Somewhere-in-Particular-1</guid>

		<description>
	Somewhere in Particular&#38;nbsp;

&#38;nbsp; &#38;nbsp; A sidepath of the research about the material presence Asphalt – a representative additional layer as a subtle escapism of the rectilinear order.
 
	&#60;img width="3130" height="2075" width_o="3130" height_o="2075" data-src="https://freight.cargo.site/t/original/i/ba9833ba9147e02e65c6eebe18e69b0f065dc4d8d46de8785f625064d5f97480/Somewhere-in-particular-asphalt-sculpture-AnneKranenborg-photography-sculpture-analoguephoto-01-Dolomites-2022.jpg" data-mid="205437470" border="0"  src="https://freight.cargo.site/w/1000/i/ba9833ba9147e02e65c6eebe18e69b0f065dc4d8d46de8785f625064d5f97480/Somewhere-in-particular-asphalt-sculpture-AnneKranenborg-photography-sculpture-analoguephoto-01-Dolomites-2022.jpg" /&#62;Crawling within the city and far beyond that fullness. A habitat where other laws apply. 
	&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/293c15cbf1da2924562618361db0a63b007c51dc9a16f52104ae78fc1b28b3cf/Somewhere-in-Particular-intervention-location-Anne-Kranenborg.jpg" data-mid="205437236" border="0"  src="https://freight.cargo.site/w/1000/i/293c15cbf1da2924562618361db0a63b007c51dc9a16f52104ae78fc1b28b3cf/Somewhere-in-Particular-intervention-location-Anne-Kranenborg.jpg" /&#62;



	
	&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/dddf20627f18714aa6a97aeba426a4624bba60b5aa02142a1fc3243b93756f20/Lines-of-pragmatic-poetry-by-Anne-Kranenborg-05.jpg" data-mid="205437360" border="0"  src="https://freight.cargo.site/w/1000/i/dddf20627f18714aa6a97aeba426a4624bba60b5aa02142a1fc3243b93756f20/Lines-of-pragmatic-poetry-by-Anne-Kranenborg-05.jpg" /&#62;From a phenomenological point of view, asphalt is not only a material substance, but an experience that largely resides in our interactions with the world. A line drawing seperating the ‘wild’ landscape from cultivated space.&#38;nbsp;
A material designed as an additional expression of perpetual movement as a common ground.



	
	

&#60;img width="3468" height="5203" width_o="3468" height_o="5203" data-src="https://freight.cargo.site/t/original/i/826e01fd64122427e50310eb644d48f6ac4edb5d4cf10fdae63d32770123a05c/Somewhere-in-Particular-by-anne-kranenborg-03.jpg" data-mid="205441043" border="0"  src="https://freight.cargo.site/w/1000/i/826e01fd64122427e50310eb644d48f6ac4edb5d4cf10fdae63d32770123a05c/Somewhere-in-Particular-by-anne-kranenborg-03.jpg" /&#62;
&#60;img width="4160" height="6240" width_o="4160" height_o="6240" data-src="https://freight.cargo.site/t/original/i/9580a1fa3169f2a49085144823664b7fb344ba81cbe95f4b77ab2598a3cd30fb/Somewhere-in-particular-interevntion-Anne-Kranenborg-zw.jpg" data-mid="205437246" border="0"  src="https://freight.cargo.site/w/1000/i/9580a1fa3169f2a49085144823664b7fb344ba81cbe95f4b77ab2598a3cd30fb/Somewhere-in-particular-interevntion-Anne-Kranenborg-zw.jpg" /&#62;

46°30'10.9"N&#38;nbsp; –&#38;nbsp; 11°48'25.0"E




	
	
&#60;img width="4008" height="3993" width_o="4008" height_o="3993" data-src="https://freight.cargo.site/t/original/i/ac0e90df7e3c60f60531bb82d0ef1f7127ef006fa33605f7d538e96517d8d23c/annekranenborg-mountain-ridge-fence-01.jpg" data-mid="217789850" border="0"  src="https://freight.cargo.site/w/1000/i/ac0e90df7e3c60f60531bb82d0ef1f7127ef006fa33605f7d538e96517d8d23c/annekranenborg-mountain-ridge-fence-01.jpg" /&#62;
&#60;img width="2995" height="3993" width_o="2995" height_o="3993" data-src="https://freight.cargo.site/t/original/i/33f7e9b73e5d3532ae93bd6cbce854ac7630f4dc17967fc73273e814ad328510/annekranenborg-photography-dolomiti.jpg" data-mid="205437326" border="0"  src="https://freight.cargo.site/w/1000/i/33f7e9b73e5d3532ae93bd6cbce854ac7630f4dc17967fc73273e814ad328510/annekranenborg-photography-dolomiti.jpg" /&#62;

	[... The hills were sculptures; the roads defined the form. Above all, there was the sensation of moving physically over the contours of fulnesses and concavities, through hollows and over peaks – feeling, touching, through mind and hand and eye. ...] Barbara Hepworth


	
	
An ode to the seasonal pollination and consumption of rock-formations.&#38;nbsp;An extensive human presence wriggle on the skin of the mountain range ‘the Dolomites’. That rigid rock formation is continously wriggling itself under the persistant unifying friction of tectonic plates.&#38;nbsp;

	Year: &#38;nbsp; &#38;nbsp; 2022
Material:&#38;nbsp; &#38;nbsp; Asphalt Technique:&#38;nbsp; &#38;nbsp; &#38;nbsp;Hand twisted, placed by hand

</description>
		
	</item>
		
		
	<item>
		<title>Poem of Destructive water</title>
				
		<link>https://annekranenborg.nl/Poem-of-Destructive-water</link>

		<pubDate>Sat, 24 Feb 2024 18:36:48 +0000</pubDate>

		<dc:creator>ANNE KRANENBORG</dc:creator>

		<guid isPermaLink="true">https://annekranenborg.nl/Poem-of-Destructive-water</guid>

		<description>
	Poem of Destructive water&#38;nbsp;

&#38;nbsp; &#38;nbsp; A sidepath of the research about the material presence Asphalt – a representative additional layer as a subtle escapism of the rectilinear order.
 

The sudden arrival of eavy rainfall made the river rise in a horizontal way. Spreading its bed and taking terrain, whilst giving stones in return. Forces and consequesnces warping its way as a sculptor of the rigid forms of matter it met.
	&#60;img width="2628" height="3504" width_o="2628" height_o="3504" data-src="https://freight.cargo.site/t/original/i/421f80c45e28969aca170b8d281bfd28fa936d90ffb6098a69dd6e0610404157/Maeght-golden-hoekje-photography-Anne-Kranenborg-photography-architecture.jpg" data-mid="205395008" border="0"  src="https://freight.cargo.site/w/1000/i/421f80c45e28969aca170b8d281bfd28fa936d90ffb6098a69dd6e0610404157/Maeght-golden-hoekje-photography-Anne-Kranenborg-photography-architecture.jpg" /&#62;&#38;nbsp;
 
	&#60;img width="4160" height="6240" width_o="4160" height_o="6240" data-src="https://freight.cargo.site/t/original/i/61c9e5ed302bbf507337b2582bbb69fe2ded74525238787f335dde74afc2e954/Anne-Kranenborg-Poetics-of-Destruction-10c.jpg" data-mid="205390490" border="0"  src="https://freight.cargo.site/w/1000/i/61c9e5ed302bbf507337b2582bbb69fe2ded74525238787f335dde74afc2e954/Anne-Kranenborg-Poetics-of-Destruction-10c.jpg" /&#62;



	&#60;img width="4160" height="6240" width_o="4160" height_o="6240" data-src="https://freight.cargo.site/t/original/i/45a56dd5459f3a725920a35eeab9ea0e9d757cb6e03bed8c348dc72315b42a87/Anne-Kranenborg-Poetics-of-Destruction-06.jpg" data-mid="205389140" border="0"  src="https://freight.cargo.site/w/1000/i/45a56dd5459f3a725920a35eeab9ea0e9d757cb6e03bed8c348dc72315b42a87/Anne-Kranenborg-Poetics-of-Destruction-06.jpg" /&#62;

	
&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; A subtle escapism of therectilinear order


	&#60;img width="2995" height="3993" width_o="2995" height_o="3993" data-src="https://freight.cargo.site/t/original/i/370ce2e6bb70079fa3a048772a65f20027f955a3b93416a35da73a23c6eff185/Anne-Kranenborg-interventie-Austria-stone-.jpg" data-mid="229841846" border="0"  src="https://freight.cargo.site/w/1000/i/370ce2e6bb70079fa3a048772a65f20027f955a3b93416a35da73a23c6eff185/Anne-Kranenborg-interventie-Austria-stone-.jpg" /&#62;



	&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/9771a2dcc9fbd86fe32bfbfb5a7c01cd042b3bb835965233fb8783342bdfdb7b/Anne-Kranenborg-photography-plywood.jpg" data-mid="211132263" border="0"  src="https://freight.cargo.site/w/1000/i/9771a2dcc9fbd86fe32bfbfb5a7c01cd042b3bb835965233fb8783342bdfdb7b/Anne-Kranenborg-photography-plywood.jpg" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/fad5db12487fec6fb0468fafd81958aafb3ae9811a8057e91ef0b08129ca67c1/Anne-Kranenborg-photography-plywood-water.jpg" data-mid="211132264" border="0"  src="https://freight.cargo.site/w/1000/i/fad5db12487fec6fb0468fafd81958aafb3ae9811a8057e91ef0b08129ca67c1/Anne-Kranenborg-photography-plywood-water.jpg" /&#62;
	&#60;img width="2996" height="3993" width_o="2996" height_o="3993" data-src="https://freight.cargo.site/t/original/i/5d7136f89cfaf351b6f813d4284538f3562afce331d3f0512c0c294840fdc8ce/The-poetics-of-destruction-AK-groen-Nice.jpg" data-mid="241526588" border="0"  src="https://freight.cargo.site/w/1000/i/5d7136f89cfaf351b6f813d4284538f3562afce331d3f0512c0c294840fdc8ce/The-poetics-of-destruction-AK-groen-Nice.jpg" /&#62;











All stones recite in their placements due to the impelling logic of water. It acted as a sculptor. Without trying to curry favor it shapes the assets of the landscape. Its forceful response is solely an answer to the scheme of transport as an expression of the elements. 






	&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/de61b569439fdcbf6d55d20c4b150bd9984159071752bb97df46587a869d837d/IMG_7909halft.jpg" data-mid="241526591" border="0"  src="https://freight.cargo.site/w/1000/i/de61b569439fdcbf6d55d20c4b150bd9984159071752bb97df46587a869d837d/IMG_7909halft.jpg" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/4b2a384f1218746485195307085e59b7da0dbc5090974d5f814a31a5dc7a57cc/Anne-Kranenborg-Poetics-of-Destruction-05zw.jpg" data-mid="205391619" border="0"  src="https://freight.cargo.site/w/1000/i/4b2a384f1218746485195307085e59b7da0dbc5090974d5f814a31a5dc7a57cc/Anne-Kranenborg-Poetics-of-Destruction-05zw.jpg" /&#62;



	
	&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/e143229c02f2065690a223716ff7de0dca6802e1a6625972fd4b1b3dea0fa6df/Anne-Kranenborg-Poetics-of-Destruction-08.JPG" data-mid="205396004" border="0"  src="https://freight.cargo.site/w/1000/i/e143229c02f2065690a223716ff7de0dca6802e1a6625972fd4b1b3dea0fa6df/Anne-Kranenborg-Poetics-of-Destruction-08.JPG" /&#62;


	
	Part of the research Surface in Suspence (2017-ongoing) 
&#38;nbsp; &#38;nbsp; By overflowing its banks it forced itself into the rigid man made structures it encountered. A dialogue on a power relationship and unforeseen alterations below the surface.
	Year: &#38;nbsp; &#38;nbsp; 2022
Material:&#38;nbsp; &#38;nbsp; Aluminium, stones, Technique:&#38;nbsp; &#38;nbsp; &#38;nbsp;The force of the river in the region Vésubie (Lantosque, France) maneuvred the stones witin the caverns of this metal piece
</description>
		
	</item>
		
		
	<item>
		<title>Where Do Shapes Begin</title>
				
		<link>https://annekranenborg.nl/Where-Do-Shapes-Begin</link>

		<pubDate>Mon, 02 Feb 2026 22:36:24 +0000</pubDate>

		<dc:creator>ANNE KRANENBORG</dc:creator>

		<guid isPermaLink="true">https://annekranenborg.nl/Where-Do-Shapes-Begin</guid>

		<description>

	Where do shapes begin
Part of the research Earth’s Veneer, the work frames asphalt as a principle of ascending and descending, negotiating between weight, gravity, and elevation
	&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/ead701f3533679b7148a4004226ce217bdda622224d527f8dfade72bdd6c65a4/IMG_5907zw.jpg" data-mid="244339006" border="0"  src="https://freight.cargo.site/w/1000/i/ead701f3533679b7148a4004226ce217bdda622224d527f8dfade72bdd6c65a4/IMG_5907zw.jpg" /&#62;



	&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/eacd7f3c57fbd74b0c2c251cedcd1df3ea71e6df602d876a998d8cf27b57ee28/IMG_5905zw.jpg" data-mid="244339002" border="0"  src="https://freight.cargo.site/w/1000/i/eacd7f3c57fbd74b0c2c251cedcd1df3ea71e6df602d876a998d8cf27b57ee28/IMG_5905zw.jpg" /&#62;
In ninety six hours, two lineair bodies enter a shared momentum. Aluminium bends under the asphalt’s weight. The beam drifts toward the convex space beneath it, guided by void rather than structure.




	
	&#60;img width="5184" height="2872" width_o="5184" height_o="2872" data-src="https://freight.cargo.site/t/original/i/b2a2d4d36c39155440193b4f370b9dcc1fbca34c2b14b6472e188408c3e41f44/WDSB-03.jpg" data-mid="244339289" border="0"  src="https://freight.cargo.site/w/1000/i/b2a2d4d36c39155440193b4f370b9dcc1fbca34c2b14b6472e188408c3e41f44/WDSB-03.jpg" /&#62;&#60;img width="5184" height="2872" width_o="5184" height_o="2872" data-src="https://freight.cargo.site/t/original/i/3cb653e42b199bd7eed92652cdbf973e6fdd1aa87f5beb026ee444aa072aa031/WDSB-02.jpg" data-mid="244339145" border="0"  src="https://freight.cargo.site/w/1000/i/3cb653e42b199bd7eed92652cdbf973e6fdd1aa87f5beb026ee444aa072aa031/WDSB-02.jpg" /&#62;

	&#38;nbsp;
	Asphalt - A line - An etching on geographical scale - A composite rock - somewhere between solidiefied and the constant alteration to circomstances.
	Year: &#38;nbsp; &#38;nbsp; 2023
Material:&#38;nbsp; &#38;nbsp; Asphalt, aluminium
 Technique:&#38;nbsp; &#38;nbsp; &#38;nbsp;Gravity bending&#38;nbsp;



</description>
		
	</item>
		
		
	<item>
		<title>Still somewhere in between </title>
				
		<link>https://annekranenborg.nl/Still-somewhere-in-between-1</link>

		<pubDate>Sun, 27 Aug 2023 18:42:16 +0000</pubDate>

		<dc:creator>ANNE KRANENBORG</dc:creator>

		<guid isPermaLink="true">https://annekranenborg.nl/Still-somewhere-in-between-1</guid>

		<description>

	
	
	


	Still somewhere in between 
Exhibited in the Van Nelle Factory during Art Rotterdam 2022[... The hills were sculptures; the roads defined the form. Above all, there was the sensation of moving physically over the contours of fulnesses and concavities, through hollows and over peaks – feeling, touching, through mind and hand and eye. ...]Barbara HepworthAsphalt - A line - An etching on geographical scale - A composite rock - somewhere between solidiefied and the constant alteration to circomstances.
guided by void rather then structure&#38;nbsp;
	&#60;img width="2628" height="3504" width_o="2628" height_o="3504" data-src="https://freight.cargo.site/t/original/i/421f80c45e28969aca170b8d281bfd28fa936d90ffb6098a69dd6e0610404157/Maeght-golden-hoekje-photography-Anne-Kranenborg-photography-architecture.jpg" data-mid="244673843" border="0"  src="https://freight.cargo.site/w/1000/i/421f80c45e28969aca170b8d281bfd28fa936d90ffb6098a69dd6e0610404157/Maeght-golden-hoekje-photography-Anne-Kranenborg-photography-architecture.jpg" /&#62;
	



	&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/2a90446112cba77bb1b7ad6b5b0fb76a21a0c899e0e94539a16f1604d009b8c1/Still-Somewhere-in-between-Anne-Kranenborg-01new.jpg" data-mid="189291921" border="0"  src="https://freight.cargo.site/w/1000/i/2a90446112cba77bb1b7ad6b5b0fb76a21a0c899e0e94539a16f1604d009b8c1/Still-Somewhere-in-between-Anne-Kranenborg-01new.jpg" /&#62;



	&#60;img width="2361" height="1756" width_o="2361" height_o="1756" data-src="https://freight.cargo.site/t/original/i/a486a67587ad5eb4fede75052acc3afa84ed57ed60301f020e7cc80eeccea14e/AnneKranenborg-Sculpture-Asfalt-Somewhere-between-Asphalt.jpg" data-mid="244591744" border="0"  src="https://freight.cargo.site/w/1000/i/a486a67587ad5eb4fede75052acc3afa84ed57ed60301f020e7cc80eeccea14e/AnneKranenborg-Sculpture-Asfalt-Somewhere-between-Asphalt.jpg" /&#62;
	&#60;img width="5489" height="3660" width_o="5489" height_o="3660" data-src="https://freight.cargo.site/t/original/i/ca5fca7b25d8ff74303d7a304cf198dca5cd2709e3d8ff95934918f652d0d8a0/Asphalt-research-Anne-Kranenborg-photography.jpg" data-mid="189028086" border="0"  src="https://freight.cargo.site/w/1000/i/ca5fca7b25d8ff74303d7a304cf198dca5cd2709e3d8ff95934918f652d0d8a0/Asphalt-research-Anne-Kranenborg-photography.jpg" /&#62;Stacking considered a vertical act ?Crawling within the city and far beyond that fullness. A material designed as an additional tool to express perpetual movement as a common ground.


	&#60;img width="2995" height="3993" width_o="2995" height_o="3993" data-src="https://freight.cargo.site/t/original/i/1027f7d7d5c97656760a94dc33bb6367af555d5b0eaa2396b250b58b4b88358b/zwart-wit-Anne-Kranenborg-Still-somewhere-in-between.jpg" data-mid="244277581" border="0"  src="https://freight.cargo.site/w/1000/i/1027f7d7d5c97656760a94dc33bb6367af555d5b0eaa2396b250b58b4b88358b/zwart-wit-Anne-Kranenborg-Still-somewhere-in-between.jpg" /&#62;Exhibited in the Van Nelle Factory during Art Rotterdam 2022

&#60;img width="4160" height="6240" width_o="4160" height_o="6240" data-src="https://freight.cargo.site/t/original/i/638fc579cccc93ad2d55286e1ce215cb0dcba9646209d53d3529e3537c66c53e/_DSF2746-copy-3-detail-a.jpg" data-mid="244591755" border="0"  src="https://freight.cargo.site/w/1000/i/638fc579cccc93ad2d55286e1ce215cb0dcba9646209d53d3529e3537c66c53e/_DSF2746-copy-3-detail-a.jpg" /&#62;



	&#38;nbsp;
	
In this series of objects, the composite stone asphalt is proposed as a principle, suggesting to view it as a zero-line. A semi-solidified division of ascending and descending human additional structures.A slowly bending material as an effect. A substance consisting out of raw matter extracted far from deep terrestrial layers. An embodiment of the globe itself.

	
	Year: &#38;nbsp; &#38;nbsp; 2021
Material:&#38;nbsp; &#38;nbsp; Asphalt Technique: &#38;nbsp; &#38;nbsp; bending with gravity
</description>
		
	</item>
		
		
	<item>
		<title>Parallel equivalents 'Mies'</title>
				
		<link>https://annekranenborg.nl/Parallel-equivalents-Mies</link>

		<pubDate>Wed, 04 May 2022 23:12:34 +0000</pubDate>

		<dc:creator>ANNE KRANENBORG</dc:creator>

		<guid isPermaLink="true">https://annekranenborg.nl/Parallel-equivalents-Mies</guid>

		<description>

	Parallel Equivalent&#38;nbsp; “MIES” #1, #2, #3Part of the research Earth’s Veneer - Human additions
	&#60;img width="2944" height="4416" width_o="2944" height_o="4416" data-src="https://freight.cargo.site/t/original/i/37daf8e70d54ab1165739e41ffe5e614f7de9d1678f58f3f37e9dd0ae832c1d9/MIES-by-Anne-Kranenborg-01-table-sculpture.jpg" data-mid="168056505" border="0"  src="https://freight.cargo.site/w/1000/i/37daf8e70d54ab1165739e41ffe5e614f7de9d1678f58f3f37e9dd0ae832c1d9/MIES-by-Anne-Kranenborg-01-table-sculpture.jpg" /&#62;


&#60;img width="2944" height="4416" width_o="2944" height_o="4416" data-src="https://freight.cargo.site/t/original/i/4351cf3c59f2db820aa796b42059d7c6d27ca89015d5a6fb3a51ef078ace59bf/Anne-Kranenborg-AaS-06a.jpg" data-mid="141694863" border="0"  src="https://freight.cargo.site/w/1000/i/4351cf3c59f2db820aa796b42059d7c6d27ca89015d5a6fb3a51ef078ace59bf/Anne-Kranenborg-AaS-06a.jpg" /&#62;
&#60;img width="2944" height="4416" width_o="2944" height_o="4416" data-src="https://freight.cargo.site/t/original/i/6ebfffdc265395da10debad089e220066c151d91e36ca129c12f5fe505d4d95f/Anne-Kranenborg-AaS-06chr.jpg" data-mid="146408225" border="0"  src="https://freight.cargo.site/w/1000/i/6ebfffdc265395da10debad089e220066c151d91e36ca129c12f5fe505d4d95f/Anne-Kranenborg-AaS-06chr.jpg" /&#62;


	&#60;img width="750" height="502" width_o="750" height_o="502" data-src="https://freight.cargo.site/t/original/i/b3135ec5d8d018984231a843970008eb3cb880c292baf5a6a0cf558001b34d5c/5334924554_3b59abf846_b.jpg" data-mid="229331693" border="0"  src="https://freight.cargo.site/w/750/i/b3135ec5d8d018984231a843970008eb3cb880c292baf5a6a0cf558001b34d5c/5334924554_3b59abf846_b.jpg" /&#62;&#38;nbsp;
Inspired by the play of carrying volume as seen in the farnsworth House – Mies van der Rohe


	
	&#60;img width="3773" height="5660" width_o="3773" height_o="5660" data-src="https://freight.cargo.site/t/original/i/e6ee1ede0f1a2872aeb80b83d96d2348eefcd44675c5a8cb9d4a5ca1e2dd497e/AnneKranenborg--.jpg" data-mid="189770209" border="0"  src="https://freight.cargo.site/w/1000/i/e6ee1ede0f1a2872aeb80b83d96d2348eefcd44675c5a8cb9d4a5ca1e2dd497e/AnneKranenborg--.jpg" /&#62;
	&#60;img width="825" height="1180" width_o="825" height_o="1180" data-src="https://freight.cargo.site/t/original/i/2a9213bb66552cea461a6a30a78bab56e33cc4f027da4c760aa77503f4af5854/Anne-Kranenborg-sculpture-photo-by-Joris-van-den-Einden.jpg" data-mid="189770286" border="0"  src="https://freight.cargo.site/w/825/i/2a9213bb66552cea461a6a30a78bab56e33cc4f027da4c760aa77503f4af5854/Anne-Kranenborg-sculpture-photo-by-Joris-van-den-Einden.jpg" /&#62;

	
	In the series of objects, the composite stone asphalt is proposed as a principle, suggesting to view it as a zero-line. A semi-solidified division of ascending and descending human additions. Raw material rising up into the constructed reality of man.


	Year: &#38;nbsp; &#38;nbsp; 2021
Material:&#38;nbsp; &#38;nbsp; Asphalt, pitch pineTechnique: &#38;nbsp; &#38;nbsp; bending with gravity

</description>
		
	</item>
		
		
	<item>
		<title>Parallel equivalents chain</title>
				
		<link>https://annekranenborg.nl/Parallel-equivalents-chain</link>

		<pubDate>Tue, 12 Apr 2022 15:48:17 +0000</pubDate>

		<dc:creator>ANNE KRANENBORG</dc:creator>

		<guid isPermaLink="true">https://annekranenborg.nl/Parallel-equivalents-chain</guid>

		<description>
	
	


	

	Parallel Equivalent Chain – [][]2 – [][][]3 – Part of the research Earth’s Veneer - Human additions
	&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/fc3d4e6412cb4503a911324cad4606f83b15a575ab3cea5140f49dad78b1a595/AnneKranenborg-2020-Upcoming.jpg" data-mid="139887075" border="0"  src="https://freight.cargo.site/w/1000/i/fc3d4e6412cb4503a911324cad4606f83b15a575ab3cea5140f49dad78b1a595/AnneKranenborg-2020-Upcoming.jpg" /&#62;&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/c82fa4c9e0d94b99016260584d0b8e382f0065bbdca3b765cec831a569da09ce/Anne-Kranenborg-AboveSoil-04.jpg" data-mid="141694223" border="0"  src="https://freight.cargo.site/w/1000/i/c82fa4c9e0d94b99016260584d0b8e382f0065bbdca3b765cec831a569da09ce/Anne-Kranenborg-AboveSoil-04.jpg" /&#62;
	&#60;img width="2666" height="3910" width_o="2666" height_o="3910" data-src="https://freight.cargo.site/t/original/i/47395d023b83df0e9baa5bb63836df315aaec79af32d341603d2ae6ef1353921/Anne-Kranenborg-AaS-01.jpg" data-mid="141694274" border="0"  src="https://freight.cargo.site/w/1000/i/47395d023b83df0e9baa5bb63836df315aaec79af32d341603d2ae6ef1353921/Anne-Kranenborg-AaS-01.jpg" /&#62;

	
	
	

&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/f7c432ff14d4cbef0328062a8b1e4f3eff64697186649d5d04e14d58e237863d/Anne-Asfaltjes.jpg" data-mid="168065798" border="0"  src="https://freight.cargo.site/w/1000/i/f7c432ff14d4cbef0328062a8b1e4f3eff64697186649d5d04e14d58e237863d/Anne-Asfaltjes.jpg" /&#62;
&#60;img width="1823" height="2440" width_o="1823" height_o="2440" data-src="https://freight.cargo.site/t/original/i/6d9cab993e75b85af70171e74d262624334f5e01474001d736d5f2bac435858b/Anne-Kranenborg-Parallel-Equivalent-04kl.jpg" data-mid="147457647" border="0"  src="https://freight.cargo.site/w/1000/i/6d9cab993e75b85af70171e74d262624334f5e01474001d736d5f2bac435858b/Anne-Kranenborg-Parallel-Equivalent-04kl.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/87402fb7e12c9a8181f9d0611c21e6cd0c11e8248293483012594c9ba4486178/Anne-Kranenborg-AaS-03a.jpg" data-mid="139449532" border="0"  src="https://freight.cargo.site/w/1000/i/87402fb7e12c9a8181f9d0611c21e6cd0c11e8248293483012594c9ba4486178/Anne-Kranenborg-AaS-03a.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/ba0f28d7ae673db25e01289b93f8d1689675e3558580a7de4a187d2e1e18ed78/Anne-Kranenborg-AaS-02a.jpg" data-mid="141694232" border="0"  src="https://freight.cargo.site/w/1000/i/ba0f28d7ae673db25e01289b93f8d1689675e3558580a7de4a187d2e1e18ed78/Anne-Kranenborg-AaS-02a.jpg" /&#62;


	2020Asphalt
</description>
		
	</item>
		
		
	<item>
		<title>Pyramid </title>
				
		<link>https://annekranenborg.nl/Pyramid</link>

		<pubDate>Mon, 10 Jan 2022 01:46:12 +0000</pubDate>

		<dc:creator>ANNE KRANENBORG</dc:creator>

		<guid isPermaLink="true">https://annekranenborg.nl/Pyramid</guid>

		<description>

	The rising of a liquid is A horizontal act 
	

Primal piece of an ongoing series part of the research ‘Earth’s Veneer’
	
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/190ef7206cc96df2536258fc2a9b65145eb8117fe4d9aa4c52f31ca01fe1ee99/Pyramid01a-AnneKranenborg-ArchaeologyAboveSoil.jpg" data-mid="129577966" border="0"  src="https://freight.cargo.site/w/1000/i/190ef7206cc96df2536258fc2a9b65145eb8117fe4d9aa4c52f31ca01fe1ee99/Pyramid01a-AnneKranenborg-ArchaeologyAboveSoil.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/e4ebe94a1befe734bccefe16badff8fc41e64799d717fa361111bd0a3d270caa/Pyramid02-AnneKranenborg-ArchaeologyAboveSoil.jpg" data-mid="129577964" border="0"  src="https://freight.cargo.site/w/1000/i/e4ebe94a1befe734bccefe16badff8fc41e64799d717fa361111bd0a3d270caa/Pyramid02-AnneKranenborg-ArchaeologyAboveSoil.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/b643448e2a48f906932ba97be80d9a83bb2a6427c16ce9cdaacc44453d8b33ee/Pyramid03-AnneKranenborg-ArchaeologyAboveSoil.jpg" data-mid="129578694" border="0"  src="https://freight.cargo.site/w/1000/i/b643448e2a48f906932ba97be80d9a83bb2a6427c16ce9cdaacc44453d8b33ee/Pyramid03-AnneKranenborg-ArchaeologyAboveSoil.jpg" /&#62;




	

	
	&#60;img width="1158" height="1616" width_o="1158" height_o="1616" data-src="https://freight.cargo.site/t/original/i/e46b8aa965426e7b313867f06d6cca9103e972184b0f0a04622a619cbe7f3537/Research-pyramid-shape-Anne-Kranenborg.jpg" data-mid="180241408" border="0"  src="https://freight.cargo.site/w/1000/i/e46b8aa965426e7b313867f06d6cca9103e972184b0f0a04622a619cbe7f3537/Research-pyramid-shape-Anne-Kranenborg.jpg" /&#62;
	&#60;img width="650" height="458" width_o="650" height_o="458" data-src="https://freight.cargo.site/t/original/i/2b7fd593551e16796ca9fc569e03891a3b753fbc320aae43acaaeb0d01354955/Research-Anne-Kranenborg-symbol-pyramid.jpg" data-mid="180241407" border="0"  src="https://freight.cargo.site/w/650/i/2b7fd593551e16796ca9fc569e03891a3b753fbc320aae43acaaeb0d01354955/Research-Anne-Kranenborg-symbol-pyramid.jpg" /&#62;The pyramid shape - A method of building and a form holding symbolic meaning.&#38;nbsp;


	

	
	A horizontal Act is an ode to an ancient civilisation icon, conducted in a material that seems to be inseparable with modernism; Asphalt.
	

2020Asphalt

</description>
		
	</item>
		
		
	<item>
		<title>Just wait and see</title>
				
		<link>https://annekranenborg.nl/Just-wait-and-see</link>

		<pubDate>Wed, 07 Nov 2018 15:17:58 +0000</pubDate>

		<dc:creator>ANNE KRANENBORG</dc:creator>

		<guid isPermaLink="true">https://annekranenborg.nl/Just-wait-and-see</guid>

		<description>
	Just wait and see
Ongoing research into temporary parasital constructions dealing with the idea of human substratum


	&#60;img width="1470" height="1030" width_o="1470" height_o="1030" data-src="https://freight.cargo.site/t/original/i/a3cffbda4738b0c59e35fe23659cd433029930e838eafe201faf1f014b6e1e62/Anne_Kranenborg_Photography_K002P.jpg" data-mid="109603130" border="0" alt="Parasites as contemporary practitioners " data-caption="Parasites as contemporary practitioners " src="https://freight.cargo.site/w/1000/i/a3cffbda4738b0c59e35fe23659cd433029930e838eafe201faf1f014b6e1e62/Anne_Kranenborg_Photography_K002P.jpg" /&#62;
Kootwijk 2020


	


	


	


	

	
&#60;img width="2963" height="3951" width_o="2963" height_o="3951" data-src="https://freight.cargo.site/t/original/i/649881c01ed208efa2b56c316b1d771620b2d3ff306e8557a44dcc74e858852f/Anne-Kranenborg-research-image-s.jpg" data-mid="229314015" border="0"  src="https://freight.cargo.site/w/1000/i/649881c01ed208efa2b56c316b1d771620b2d3ff306e8557a44dcc74e858852f/Anne-Kranenborg-research-image-s.jpg" /&#62;
&#60;img width="2387" height="3182" width_o="2387" height_o="3182" data-src="https://freight.cargo.site/t/original/i/2a405aabd3e96250ff35ce37c471b03afd550cff5b809571cc67bfa9d106167f/Anne-Kranenborg-image-research-str.jpg" data-mid="229314014" border="0"  src="https://freight.cargo.site/w/1000/i/2a405aabd3e96250ff35ce37c471b03afd550cff5b809571cc67bfa9d106167f/Anne-Kranenborg-image-research-str.jpg" /&#62;



	

	

	
	&#60;img width="2324" height="1550" width_o="2324" height_o="1550" data-src="https://freight.cargo.site/t/original/i/09c3e52ff3c93f9307de6f4142cb28a300df958eeeec4c55cee71c3423c0e479/Sticker-AnneKranenborg-Contemporary.jpg" data-mid="31995179" border="0"  src="https://freight.cargo.site/w/1000/i/09c3e52ff3c93f9307de6f4142cb28a300df958eeeec4c55cee71c3423c0e479/Sticker-AnneKranenborg-Contemporary.jpg" /&#62;Wassenaar 2019

	


	
	&#60;img width="2626" height="3939" width_o="2626" height_o="3939" data-src="https://freight.cargo.site/t/original/i/e1664df172b7c791fba13db3528ec235cf3d90b63b6cdd51a7cd56559a859416/Anne_Kranenborg_flows_photography-01.jpg" data-mid="32490642" border="0"  src="https://freight.cargo.site/w/1000/i/e1664df172b7c791fba13db3528ec235cf3d90b63b6cdd51a7cd56559a859416/Anne_Kranenborg_flows_photography-01.jpg" /&#62;&#60;img width="2995" height="3993" width_o="2995" height_o="3993" data-src="https://freight.cargo.site/t/original/i/7479652d915ce3d3d05921e7b4570b41b111be1a65d0951c18b203f649560472/Stone-water-Surface-in-suspence-Anne-Kranenborg.jpg" data-mid="159417117" border="0"  src="https://freight.cargo.site/w/1000/i/7479652d915ce3d3d05921e7b4570b41b111be1a65d0951c18b203f649560472/Stone-water-Surface-in-suspence-Anne-Kranenborg.jpg" /&#62;Austria 2018

	ferruginous water running down the hill into the wringing grip of a sluice edifice.
Bluish water went on, leaving rust pigment residing.&#38;nbsp;



	part of the research: human substratum
Multiple interventions are positioning themselves on locations where negotiations of upper and lower levels are acuminate.


	
	


	
Year: &#38;nbsp; &#38;nbsp; 2018 – ongoing
Material:&#38;nbsp; &#38;nbsp; Multi mediaTechnique:&#38;nbsp; &#38;nbsp; &#38;nbsp;Fleeting intervention, ranging from powder, oil, paint, paper to clay becoming solid stone.




 

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